Most texts which accompany contemporary art production are so alarmingly twisted and woolly that they could easily pass for self-parody. Clucking hysterically they describe works "which hover on the border between the visible and the invisible", which - in the most wonderful way - "function as a link between geology and biology", which - how could it be anything else - "tackle aesthetic-political questions on cultural difference and the migration of form", which - it goes without saying - "reference the key artistic avant-guards of the 20th and 21st centuries", while naturally "incorporating the key questions of architecture, design, philosophy and science" and representing, in their spirituality, "a realisation of the present".
Wonderful.
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