A Christian accused of bypassing orthodox Christian mysticism (notwithstanding echoes of Thomas A. Kempis), Girard is inspired by the image of the otherworldly Friedrich Holderlin, in the poet's final years of seclusion. Girard asserts that "salvation lies in imitating Christ, in other words, in imitating the 'withdrawal relationship' that links him with his Father....To listen to the Father's silence is to abandon oneself to his withdrawal, to conform to it."
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