High Church ...

... Quid plura? | “Let us close our eyes; outside, their lives go on much faster…”

For Cram, medievalism was more than an aesthetic conceit. After World War I, he saw ruined societies doomed to one of two fates: a slide into a new Dark Age, or a return to ugly, worn-out modernism. Doubling down on his historical predilections, Cram offered, instead, a third way.