This just in …

… Shakespeare’s Genius Is Nonsense - Issue 18: Genius - Nautilus.

What’s essential to Booth is that for readers and audiences—for everyone but the professional critic—these patterns usually remain below the threshold of our attention. What he calls the “physics” of the verse are available to general readers, but not obtrusive. In his 1998 book Precious Nonsense, Booth argues that the experiences that Shakespeare’s poetic language evokes with such verve and subtlety are intensifications of everyday language experiences. Shakespeare achieves this by weaving incredibly rich networks from the same kinds of “substantive nonsense and nonimporting patterns” that pop up in slang, jokes, songs, and nursery rhymes. Those dense networks of patterns, Booth posits, are “the principal source of the greatness we find in Shakespeare’s work.”