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A History of Pictures by David Hockney and Martin Gayford review | Books | The Guardian. (Hat tip, Dave Lull.)
Like the best poetry, Hockney’s best pictures always give you the sense that the whole business is starting again. There are connoisseurs who scorn that view but they are of the kind whose necks get tired too easily in the Sistine chapel. (It’s featured here, with the prophet Jonah leaning back into the curved vault leaning forward, a world-beating trompe l’oeil effect disguised as almost nothing.) (But try and make a mark that doesn’t trick the eye.) (Anyone who meets Hockney will soon find, disconcertingly, that he speaks the way these parentheses add up.)
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