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When did fiction become so dangerous? | The Spectator. (Hat tip, Dave Lull.)
The ‘own voices’ policy conveys to reviewers that their primary job is not to assess a book’s storytelling, but to rate its adherence to a left-wing catechism (the fairness of whose tenets is presumably self-evident), to identify authorial heretics, and to stick the apostates’ heads on spikes along the digital public highway. Reviewing for Kirkus is now a cross between penning literary criticism and joining a shooting party, a sufficiently athletic undertaking that it really should pay better.
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