This year marks the centennial of Charles T. Griffes’s sudden—and no less suddenly brief—ascent to musical stardom. A small-town music teacher at a boys’ prep school in suburban New York, he was catapulted into celebrity when Pierre Monteux and the Boston Symphony gave the world premiere of “The Pleasure-Dome of Kubla Khan,” his first large-scale orchestral piece, inspired by Samuel Taylor Coleridge’s 1797 poem about an opium dream.
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