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Turn Aside: The Poetic Vision of R. S. Thomas by Jeffrey Bilbro. (Hat tip, Dave Lull.)
There are three elements to this motif of turning: The first is that turning aside brings us “within listening distance” of the ineffable, whether that be the Welsh landscape, other people, or God himself. Second, as in “A Bright Field,” turning aside becomes an alternative both to mechanistic progress and to simplistic nostalgia. Finally, though Thomas may not see God “when I turn,” he finds him “in the turning” itself; the practice of Christian faith entails precisely this turning aside to “the eternity that awaits.”
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