Fifty years ago, on Valentine’s Day of 1972, New York magazine published “The Birth of ‘The New Journalism’; Eyewitness Report by Tom Wolfe,” a proclamation that, it is clear from this vantage point, provided a standard and direction and a way of unifying nonfiction writers—essayists, journalists, memoirists—into one cohesive, albeit loosely determined, category that we now call creative nonfiction
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