Karl Ove Knausgaard

 

I've written before on the blog about Karl Ove Knausgaard -- in particular about his seasonal quartet, which, taken together, amounts to an excellent read. I've also written about his essays on Edvard Munch, which have lots of interesting things to say about that tormented painter. Recently, I've made my way through another of Knausgaard's works of non-fiction, In The Land of the Cyclops, a collection of essays focused on philosophy, literature, and art. 

I should say at the start that, for me, Cyclops doesn't hold a candle to the seasonal quarter: I recognize, of course, that they are different in terms of tone, structure, and objective, but there was something about Cyclops which felt less convincing: as if this were just one man's sense for a book or painting. And it is. But in other essays or reflections by Knausgaard, that sense, that observation, assumes an oddly universal quality: and while Knausgaard may be writing about an apple, say, or a trip through Norway, the effect is one of transcendence: as if that journey, that piece of fruit, were the center of the universe. This experience was often missing from Cyclops.

That said, there are essays here which are to be celebrated, including those on Cindy Sherman and Gustave Flaubert. Another, on the Norwegian novelist, Knut Hamsun, features a number of unexpected and illuminated insights. Don't get me wrong, there were moments of revelation in some of these essays, and I walked away with a greater understanding, say, for Sherman than when I started the book. But I was expecting something more: perhaps more intimate, perhaps more lasting. Still, I'll continue to read Knausgaard because I think his approach to writing and to the contemporary moment is something worthy of exploration.