Classical crime-fighting …

… Bach at the Burger King - Los Angeles Review of Books. (Hat tip, Dave Lull.)

Today, deterrence through classical music is de rigueur for American transit systems. Transportation hubs from coast to coast play classical music for protective purposes. Brahms bounces through bus stops and baggage claims. Travelers buy Amtrak tickets to Baroque Muzak at Penn Station; Schubert scherzos grace the Greyhound waiting area in New York’s Port Authority Bus Terminal; Handel’s Water Music willows over the platforms of Atlanta’s MARTA subway system. Beyond big cities, the tactic extends to small towns and suburbs across the continent. In Duncan, British Columbia, Pavarotti’s tenor tones patrol the public park dispersing late-night hooligans, while the Lynchburg Library in Virginia clears its parking lot with a playlist highlighted by such scintillating soundtracks as Mozart for Monday Mornings and A Baroque Diet. In the most dramatic account of concerto crime-fighting, the Columbus, Ohio, YMCA reportedly dissolved a sidewalk brawl between two drug dealers simply by flipping on Vivaldi’s Four Seasons.