“Deaf Republic” is both personal and communal, from the title onward. Kaminsky has been largely deaf since age 4, so the first part of the title reflects his own experience; but “republic” invokes Plato and the tradition of great philosophical questions, of a dialogue on justice and the role of the state. Kaminsky has always been interested in communal space, global space, and translating his understanding of it for us, so this material isn’t a great departure. His first publication, a chapbook titled “Musica Humana” — made it clear that he was most interested in humanity itself, and this remains what rumbles beneath all his work, and animates his questions.Here is that review I wrote of his book Musica Humana.
Monday, March 11, 2019
Worth the wait …
… In ‘Deaf Republic,’ Ilya Kaminsky Shows Potency – The Forward. (Hat tip, Dave Lull.)
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