The young Betjeman, for all his go-ahead airs, is clearly nostalgic for the medieval Age of Faith when everything made sense. He dislikes the ‘pedantry’ of the Elizabethan and Jacobean period, finds things improving markedly under the Georgians, delights in Regency architecture, and dismisses much of what comes after, especially the more snobbish and ‘refeened’ elements of Victorian style.
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