Kirkpatrick tells this story well, painting a dense, believable picture of postwar chaos. As the occupying army compromises with conquered locals, Walter Horn sees his birth nation in ruins, wonders about the fate of his family and friends, and hunts for treasure even when questions of cultural patrimony pale against the enormity of the entire war. Despite its lurid cover, Hitler’s Holy Relics is sensitive to the stories of individuals, not armies, from a Nazi museum curator who survives by hiding his homosexuality to the personal interest Patton himself takes in the Crown Jewels.
Wednesday, August 29, 2012
… Quid plura? | “Diamond rings, and all those things…”