Dubus became Anna through her senses. Rather than forcing Anna to do something, Dubus followed her, and the story built so that after one, slow draft, it was finished. If Dubus had written “Anna” according to his old, horizontal method, the story would have taken many drafts. It would have taken time. But we don’t have much time. I don’t have much time. I have been a schoolteacher for the past decade. I drive an hour to work. Between 7:20 and 2:21, I teach literature and creative writing. I drive another hour home, where I am blessed to be a father and husband. We play in the basement, where my wife pantomimes elaborate scenes for our 19-month-old twin daughters. The girls climb on me and pat my beard and laugh. We read books, we eat dinner. Diapers are changed. Diaper ointment is applied. Cries evolve into laughs, which, lately, have trailed off into the refrain of “Old MacDonald.” My wife and I then put the girls to bed. Some bedtimes are miraculously smooth and silent, while other bedtimes are like plays by Eugène Ionesco.
Thursday, November 27, 2014
Depth over breadth …
… The Millions : Gestation of Ideas: On Vertical Writing and Living. (Hat tip, Dave Lull.)
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