… Its prose is meticulous, suggesting memory as an exercise in exacting dictation from an omniscient oracle, yet its message points to memory as mutable, prone to the passage of time and the vagaries of imagination. “Fairly early in the book Nabokov spends pages and pages creating an exquisite picture of the vast figure of Mademoiselle, his childhood nanny, everything detailed, from her voice to her chins,” Rosenblatt notes. “Then he reverses course and says: Did I get her all wrong? Is she a fiction? Who but Nabokov could get away with a stunt like that—to make us believe all he has written about the woman, and doubt every word, and not care.”
Friday, July 01, 2016
Anniversary …
… Why Nabokov’s Speak, Memory Still Speaks to Us | Humanities. (Hat tip, Dave Lull.)
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