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A Suspense Novelist’s Trail of Deceptions | The New Yorker.
…according to many people who know him, Mallory has a history of imposture, and of duping people with false stories about disease and death. Long before he wrote fiction professionally, Mallory was experimenting with gothic personal fictions, apparently designed to get attention, bring him advancement, or to explain away failings. “Money and power were important to him,” a former publishing colleague told me. “But so was drama, and securing people’s sympathies.”
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