In the essay “Telling,” he describes the upsetting case of the director of a hospital who, struck down by Alzheimer’s, is admitted to his own hospital. He behaves as if he were still running it, until one day by chance he picks up his own chart. “That’s me,” he says, recognizing his name on the cover. Inside, he reads “Alzheimer’s disease” and weeps. In the same hospital a former janitor is admitted; he too is convinced that he is still working there. He is given harmless tasks to perform; one day he dies of a sudden heart attack “without perhaps ever realising that he had been anything but a janitor with a lifetime of loyal work behind him.” “Should we,” asks Sacks, “have taken away his accustomed and well-rehearsed identity and replaced it with a ‘reality’ that, though real to us, would have been meaningless to him?”
Friday, May 17, 2019
Unusual boy, outstanding human …
… Truth, Beauty, and Oliver Sacks | by Simon Callow | The New York Review of Books. (Hat tip, Dave Lull.)
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