In Di Blasi’s hands, memoir is not a work of confession. As she writes in the prologue, she views autobiography as pretense—observing the past inevitably alters it, and any memoir that fails to recognize this fact is fiction. She calls attention to her self-editing through white space, indented text that often breaks the fourth wall. As Di Blasi explained in an interview about the book, “The intent is not only to illuminate the many facets of remembering but also to reflect the process of writing and revising one’s recollections, exposing the fallibility of memory and the intrusion of self-aggrandizement.”
Tuesday, January 12, 2021
Biography of a place …
… Review of Debra Di Blasi’s Selling the Farm.