It was this conflict between the aesthetic and the ethical that prompted Auden to return to the Church in 1940. It became his late work’s great subject, and the subject of his greatest work, “The Sea and the Mirror.”
It was this conflict between the aesthetic and the ethical that prompted Auden to return to the Church in 1940. It became his late work’s great subject, and the subject of his greatest work, “The Sea and the Mirror.”
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