Thursday, January 29, 2026

RIP …

The passing of James Sallis

Denis Johnson

 


I don't know too much about Denis Johnson, but in my mind, at least, he's part of that cohort of novelists focused on the American West. I'm thinking, especially, about Wallace Stegner and Cormac McCarthy. If that's the case (and if Johnson is indeed part of that cohort), then Train Dreams fits the mold: this short novel -- set at the turn of the twentieth century -- captures a number of the themes made famous by the rugged Western experience. Train Dreams is about the brutality of the land, the promise of its financial fortune, and the loneliness of people who attempted to conquer it. But more than that: Johnson seems to have something to say about the temporary nature of life on the frontier. When his main character, Robert Grainier, passes away, it's as if he hasn't lived at all. He's owned few things, loved very little, and has never truly understood his past. He's the extension of a landscape indifferent to humanity. In that way, Train Dreams is a very sad novella. But then again, seen another way, it's a novel about what a person actually needs, and about how, over time, a sense of identity emerges from the limitations imposed by an unyielding environment.

A poem for this morning

~ Rae Armantrout – Now See

Tuesday, January 27, 2026

I have returned.…

Ar 5 yesterday morning, I called my emergency caregivers because my catheter didn't seem to be working prooerly. it wasn't, and I spent the rest of yesterday in the hospital. AS soon as they gave me a new catheter, I felt great. the people at Jefferson Hospital were also outstanding. i would have been back last night, but I couldn't remember the number to get me into my apartment building.As Bette Davis sard< growing old ainkt for sissies.

Friday, January 23, 2026

Rosamond Lehmann

 


Apologies for my temporary absence from the blog. I've been knee-deep in Rosamond Lehmann's The Weather in the Street. Published in 1936, this novel caused something of a stir, I gather, on both sides of the Atlantic. Lehmann's focus -- on the affair between a married man and a separated woman -- featured not only an abortion, but an unyielding view of the victimization of women during this period. For a novel written a century ago, Weather packs a considerable punch: its challenges feel modern, its tropes familiar. This is a book about power and its imbalance, and about the extent to which women, in particular, confronted a range of social and economic limitations. Weather was not, perhaps, as brutal as another book which I've written about on the blog: Torborg Nedreaas's Nothing Grows by Moonlight. That said, it's close: this is an unrelenting account of one woman's awakening and the forces, throughout that process, that evolution which conspire against her. The contemporary feel of the novel -- both in its content as well as its fluid, experimental narration -- adds something poignant for the modern reader. This book may be one hundred years ago, but in its preoccupation with class, sexuality, gender, and capitalism, it feels very much of our times. The Weather in the Streets is an inter-war classic and required reading, I'd say, for those interested in British society during this complicated time. 


RIP …

Literary agent Georges Borchardt, who championed Nobel laureates, dies at 97 (Hat tip, Dave Lull)

A poem for this morning …

Nora Claire Miller – Rumor

Saturday, January 17, 2026

Update …

i hope to resume serious blogging later today. i was released from the hospital yesteday, after having a substantial blood clot on my lung removed.

A poem for this morning …

Jana Prikryl — Small Parts

Monday, January 12, 2026

Back online …

I am in the hospital, and have been since yesterday. In a short while, I will be taken upstairs, my right leg wil have something inserted, and they will drain the blood clot on my lung. in a couple days i will go home. Had I take taken a sip or two of red wine the symptoms would have gone away, as they did when I did, but by then I had pushed the emergency button I have and they had come, checked me out, and took me away. Just as well. Not good to have a blood clot on your lung.

Wednesday, December 17, 2025

Worth noting …

… … William F. Buckley Jr.: Literary Figure

Christian Kracht

 


Eurotrash -- Christian Kracht's novel of wealth, history, and guilt -- was not one that was known to me, but, enticed by its absurd cover, I took a chance. In some ways, Eurotrash is a successful book: its characters wrestle with tainted inheritance, with disturbing family associations, and with the question, ultimately, of when events transition to the broader realm of history. Eurotrash focuses on two characters -- a mother and son -- neither of whom is particularly well developed, but who function as types, as representations of wealth, or struggles against it. Parts of Eurotrash are effective, especially those focused on inherited guilt. But even those sections of the novel felt, to a certain extent, incomplete: it's one thing to cast a portion of a character's family as having been Nazis, or having benefited from the Nazi regime; but it's another to develop that story, and to trace its complexity into the present. It's not that Kracht has delivered an ineffective rendering of European wealth; instead, it's that he's delivered an incomplete novel, one that's propped up by dialogue, but which reads, at times, as shallow. Had this book been double the length, and had its characters succeeded in donating their tainted wealth, then maybe there might have been something profound to address; but that does not happen exactly, and the result -- for me, at least -- is a novel in search of itself, a book with solid scaffolding, but without the guts to call it complete.

Sunday, December 07, 2025

Benjamin Labatut


At its core, When We Cease to Understand the World is a work of fiction. Its author, Benjamin Labatut, dramatizes a set of mathematical discoveries, imagining himself into the lives of the figures whose research and eccentricities led to those discoveries. Cease to Understand functions as a novel, but it is one which straddles a very fine line. And it does this magnificently. 

When Labatut introduces the impact, say, of Heisenberg, he does this not only by way of discoveries and theories, but through a set of relationships and events. Labatut claims that the amount of 'fiction' in this book increases over time, and that the early stories are more faithful to documented events than those later in the collection. But that does not really account for what's going on here: because, in all cases, in all stories, Labatut introduces a fictional arc; he traces relationships, personalities, families. He adds to this with periodic dialogue -- even with descriptions of the weather, of the geography. 

The result is a book reminiscent in its the style and orientation of W. G. Sebald, whose own novels sit in that unusual space between the real and the imagined, between history and fiction. When Labatut presents the discoveries of Haber or Schrödinger, for instance, he does so as a novelist might: it is the events which lead to the discovery that matter; it is the isolation, the struggle, the malnourishment which, in some sense, become the discovery, the revelation. Had Labatut included pictures, his book would have veered even closer, say, to Sebald's Rings of Saturn

Part of the most upsetting and lasting aspects of Cease to Understand is its emphasis on destruction. There is no doubt, sadly, that the theories unearthed by Labatut's cadre of mathematicians unlocked the violence wrought during the world wars. That correlation in itself is unnerving. But worse than that, according to Labatut, is a second sort of destruction: the one in which science, for all its advancements, ceases to present a basic understanding of the world. When this happens, it's a short distance to something more disorienting: humans lose the capacity to understand what it means to be human. We take recourse to forms of science and technology which can no longer present -- with Newtonian certainty -- the world around us.

Whether this is fiction, history, or philosophy seems beside the point: Cease to Understand is a warning: about how much we've accomplished, and about how little we actually know. The distance between the two erupted in the violence of the last century. 

Appreciation …

Tom Stoppard, The Art of Theater No. 7

Tracking the decline …

… in this case, of Britain: Assault Victim Becomes Criminal While Attacker Walks Free