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An Unbelieving Age | Commonweal Magazine. (Hat tip, Dave Lull.)
That the death of God involves the death of Man, along with the birth of a new form of humanity, is orthodox Christian doctrine, a fact of which Nietzsche seems not to have been aware. The Incarnation is the place where both God and Man undergo a kind of kenosis or self-humbling, symbolized by the self-dispossession of Christ. Only through this tragic self-emptying can a new humanity hope to emerge. In its solidarity with the outcast and afflicted, the Crucifixion is a critique of all hubristic humanism. Only through a confession of loss and failure can the very meaning of power be transfigured in the miracle of resurrection. The death of God is the life of the iconoclast Jesus, who shatters the idolatrous view of Yahweh as irascible despot and shows him up instead as vulnerable flesh and blood.
This really is insightful.
In Nietzsche’s eyes, truly noble spirits refuse to be the prisoners of their own principles. Instead, they treat their own most cherished opinions with a certain cavalier detachment, adopting and discarding them at will. It is what Yeats, who like many a modernist felt the influence of Nietzsche, and for whom opinions were fit meat for bank clerks and shopkeepers, called sprezzatura. One’s beliefs are more like one’s manservants, to be hired and fired as the fancy takes you, than like one’s bodily organs. They are not to be regarded as constitutive of personal identity, but rather as costumes one can don or doff at will. For the most part, as with kilts and cravats, it is aesthetic considerations that govern the donning and doffing.
But this is a misunderstanding of
sprezzatura.
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