… Final Incal | The Comics Journal.
There is … in Final Incal, no hint of a dulling of the edge, nor any softening of Jodorowsky’s aesthetic. The maestro still delights in shocking his audience; he still loves mutations and deformity, but he is also willing to be utterly brazen in delivering an alarmingly naïve message (only true love can save us from turning into unfeeling metallic beings, man) just as he was completely unembarrassed about introducing us to a giant golden god-baby at the end of the original Incal, or dressing like this in The Holy Mountain.
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