Clearly, Stillman’s comedies of manners make culture writers uncomfortable. In poking fun at characters on both the right and left, they register with no clear party or position — which might strike some of us, at a time when there’s support for masonry on the Mexican border, as unthinkable. But what Stillman ultimately sides with is stylish wit. His apolitical movies dare to prize a well-turned one-liner over social justice; they challenge us to embrace aestheticism and check our politics.
Friday, April 22, 2016
How transgressive of him …
… How Whit Stillman Humanized Privilege – Flavorwire. (Hat tip, Dave Lull.)
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I would like to propose a term for a certain sort of art, or view of the ends of art: eedjitprop.
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