Obviously, beauty — like poetry — can't be defined, and obviously, whatever it is, its manifestations are numberless across human histories and cultures, but it seems to me that theorists who oppose the principle of beauty in art must erroneously have found the cosmos to be exhaustible, and must believe themselves to have, and must wish to persuade others that they have, exhausted it. I can’t argue about this, but I would ask if any of these judgments about beauty -- as privileged or elitist or superficial or morally deficient -- pertain to the beauty of the "Afghan Girl" photograph.
Monday, June 26, 2017
… Concrete & River: A Convergence of Gazes: Gjertrud Schnackenberg on "Afghan Girl". (Hat tip, Dave Lull.)