This reveals something important about Paglia. Her project in Provocations, and in much of her later work, is not to provoke simply for the sake of it, in the manner of, say, Milo Yiannopoulos. Her project is cultural populism. “I feel I should use my name recognition for service, for art,” she told the blog Bookslut in 2015. “I’m just a teacher in the classroom from beginning to end,” she added. Paglia sees culture, from the stories of the Bible to the paintings of Picasso to the ballads of Joni Mitchell, as a vast patchwork of meaning that inspires awe and delivers wisdom. She wants to bring the riches of art, literature, and religion to everyday people.
Thursday, August 22, 2019
… Camille Paglia: The Maverick Critic and Scholar. (Hat tip, Dave Lull.)