… My own feeling, for what it’s worth, is that Crimes and Misdemeanors is too reductively explicit to support the weight of its parable-like moralizing, whereas Foote is content to let the viewer come to his own conclusions about the ambiguous last scene of Tender Mercies, which makes no assertions of any kind. Not so Allen’s film, whose last scene leaves us in no possible doubt (save in the minds of interpretation-happy academics) of what he takes to be its precise meaning, which he has since spelled out to interviewers on numerous occasions.
Tuesday, October 28, 2014
… About Last Night | Answer came there none. (Hat tip, Dave Lull.)