Kollmar’s original choice for composer was Ferde Grofé, best known as the orchestrator of George Gershwin’s “Rhapsody in Blue,” whose signature compositions were portentous concert suites. But Grofé withdrew, and it is to Kollmar’s credit that he realized that he had a top-rate pop-song composer available in Waller. Waller’s double duty as composer and performer was short-lived. During a cash crisis and in an advanced state of intoxication, Waller threatened to leave the production unless Kollmar bought the rights to his Early to Bed music for $1,000. (This was typical of Waller, who often sold melodies for quick cash when in his cups. The evidence suggests, for example, that the standards “I Can’t Give You Anything but Love” and “On the Sunny Side of the Street” were Waller tunes.) Waller came to his senses the next day, but Kollmar decided that his drinking habits made him too risky a proposition for eight performances a week. From then on, Waller was the show’s composer only, with lyrics by George Marion, whose best-remembered work today is the script for the Astaire-Rogers film The Gay Divorcée.
Tuesday, December 27, 2016
… The Fats Waller You’ve Never Heard | City Journal. (Hat tip, Dave Lull.)