… ["THe Arnarchist"] is informed by Mamet’s politics, sure, as Redford’s movie is informed by his, but “The Anarchist” is much more deeply informed by Mamet’s Jewish faith. The verbal battle between Cathy and Ann is underscored by a bold critique of Christian forgiveness in light of the demands of Jewish justice. In this, “The Anarchist” sings a sort of counterpoint to the Merchant of Venice. Since Merchant – and much western culture — depicts Jewish justice as rigid and bloodthirsty while Christian mercy droppeth as the gentle rain from heaven, to see Mamet stage the argument from a Jewish perspective is radical and bracing.
Thursday, April 25, 2013
… The New York Times vs. David Mamet | FrontPage Magazine. (Hat tip, Dave Lull.)