For playwrights, the obvious answer is to follow Shaw’s own example by allowing Trump (or a Trump-like character) to speak for himself in a way that is persuasive, even seductive. Shaw himself did so in Major Barbara (1905), whose central character is an arms manufacturer so engagingly urbane that he persuades his pacifist daughter to give up her position with the Salvation Army and embrace the gospel of high explosives. But the trouble with this approach is that it is hard to imagine a playwright willing to admit that Trump could be persuasive to anyone but the hated booboisie.
Sunday, October 22, 2017
… The Theater of Trump | commentary. (Hat tip, Dave Lull.)