Re-discovering Helena’s humour was the perfect bridge to renewed engagement with the text, and I found myself listening for it, struck by its effectiveness. When her pilgrimage to Jerusalem begins, Helena has concerns about the commodification of any material remains that she might discover. But, in keeping with a level-headed assessment of her faithful task, she does not mock or judge Constantine when he superstitiously forges relics from her horde into a bridle for his horse. She giggles, rather, and quietly so, bringing her audience directly alongside in her understanding of what she has found and what it means.
Friday, November 27, 2020
Just so you know …
… Evelyn Waugh’s favourite heroine. (Hat tip, Dave Lull.)