… The Kept and the Killed. (Hat tip, Rus Bowden.)
… these unloved alternates have become almost more interesting than their perfect twins. In contrast to the carefully captioned File images, killed negatives have no names attached, often no notes on provenance: what little we know about them is only by analogy to those photos that were saved, clues about location gleaned from landscapes, clothing, faces. As such, the killed photos demand a more active viewer, one willing to piece together, to parse, to consign some things to the realm of the curious and unknowable.
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