Rebecca Marshall-Ferris generously shared her odyssey of discovery with us this morning - a documentary about Scranton’s native son Jason Miller. It was the perfect finale to our conference’s theme – There and Back Again – Time, Place and Story.
Jason began his life on the west end of Scranton. He rose to critical acclaim through the writing of play That Championship Season and the Priest in the Exorcist. His time in the spot light was brief and his downward spiral to obscurity was pitiless to his artist’s soul. He died as he lived his last years, sitting in a pub. http://en.wikipedia.org/wiki/Jason_Miller_(playwright)
The film Rebecca has crafted is unflinching but gentle. She uses the controversy over a public sculpture in his memory as a vehicle to transport us through the poignant ironies of his life and the community he sprang from.
His meteoric rise was for a play written about men nostalgic for their brief time of glory. In retrospect his life’s experience followed the same path. Watching the film I wondered if at the end of his life he saw that connection too. Furthermore, his play can also be seen as a metaphor for Scranton herself – bursting forth from the coal industry then withering away to a shell of its former brilliance.
While this might sound like a depressing thing to watch, I was surprised and delighted by how much humor was in the film. I laughed out loud quite a few times. My favorite scene was of a young man aptly synthesizing why Scranton was the place Jason belonged while getting an Exorcist Tattoo.
Another thing that I appreciated about the film was how she allowed the characters of those on camera reveal themselves to the viewer. Seemingly without prejudice or value judgement the sentiments and pickadillos of the people featured in the movie are captured in equal measure.
She sets a tone that is warm but not smaltzy. She refrains from cynicism, sarcasm or any other ism that would browbeat the subject. For that I say - Bravo!
Ultimately she casts a portrait of a man and a city that are down on their luck, but still fiercely beautiful and worthy of our affection. Thank you Rebecca!
And so The Gathering comes to a close for another year – after a scrumptious brunch at the Hull Family farm. I know we were all heartened to hear that next year’s theme and lecturers are already in the works – "Chaos and Creativity – Where the Strange Crossroads Lie." Featured guestspeakers are as of now: Jennifer Armstrong, Gail Carson-Levine, Dara Sobo, and Billy Collins. Mark your calendars –July 15-18 2010.
And so, sitting in the shade in this bucolic setting, I am reluctant to rise to my feet and return to the spinning vortex that I call my life. But this weekend I was reminded by Salman Rushdie that no one’s life is ordinary. So away I go to embrace my story more fully. See you next year!
Showing posts with label Keystone College. Show all posts
Showing posts with label Keystone College. Show all posts
Sunday, July 19, 2009
Saturday, July 18, 2009
Maps of the Human Heart - Loung Ung makes us care.
Loung Ung did not set out to be an author. She became one in service to her cause - educating people about the realities of living in a war torn country - land mines, starvation, genocide.
During the 1970's, 1.7 million of the Khmer people died under the oppression of the Pol Pot regime in Cambodia. She lost 20 relatives - including her father, mother and 2 siblings.
At 10 years old she was transported to Vermont and began a new chapter of her life. She grew up, went to college and began working to better the condition of her fellow Khmer countrymen. But how to make people listen? How to make things happen? She knew she must bring people into her story.
She asked herself 3 key questions:
1. How to access the heart of her story?
2. How to get people to care about her story?
3. How to get people to identify themselves within the story?
She found her answers -
1. At the heart of it all was a love story in the time of war, the kind of love that serves to sustain a family during the most desperate of times.
2. To get people to care, touch the central places in all of our hearts - the human need for love, familial connection, hope and compassion.
3. Through the voice of a vulnerable child, the reader connects with their own vulnerability and joins her on the journey.
And she hopes that once she has her readers walking beside her, her cause will become theirs.
Her 3 key questions are a gift to anyone seeking to use words as a means for navigating the human heart’s avenues.
Beyond a pearl of literary wisdom, she went on to provide us the guideposts for the most perilous terrains of the human heart - the pathways marred by grief, loss and terror.
"Although I am strong outside, being strong has taken a lot of will and energy. Inside me was like shattered pieces of glass. Each day I would restore myself, gluing the pieces back in place. One day recently (while attending the Khmer Rouge tribunals in Cambodia) I suddenly felt that I was not going to shatter anymore. I was strong with less force and effort. Life is light now. The glue finally took hold.”
So she stands before us tonight as proof. It is possible, even after unthinkable catastrophe to heal, repairing oneself one bit at a time, over and over until eventually, the mending takes hold.
Please go to her website and learn more about her story and also opportunities to participate in helping others in a meaningful way.
http://www.loungung.com/acorn.php?page=home
http://www.loungung.com/acorn.php?page=change_the_world
During the 1970's, 1.7 million of the Khmer people died under the oppression of the Pol Pot regime in Cambodia. She lost 20 relatives - including her father, mother and 2 siblings.
At 10 years old she was transported to Vermont and began a new chapter of her life. She grew up, went to college and began working to better the condition of her fellow Khmer countrymen. But how to make people listen? How to make things happen? She knew she must bring people into her story.
She asked herself 3 key questions:
1. How to access the heart of her story?
2. How to get people to care about her story?
3. How to get people to identify themselves within the story?
She found her answers -
1. At the heart of it all was a love story in the time of war, the kind of love that serves to sustain a family during the most desperate of times.
2. To get people to care, touch the central places in all of our hearts - the human need for love, familial connection, hope and compassion.
3. Through the voice of a vulnerable child, the reader connects with their own vulnerability and joins her on the journey.
And she hopes that once she has her readers walking beside her, her cause will become theirs.
Her 3 key questions are a gift to anyone seeking to use words as a means for navigating the human heart’s avenues.
Beyond a pearl of literary wisdom, she went on to provide us the guideposts for the most perilous terrains of the human heart - the pathways marred by grief, loss and terror.
"Although I am strong outside, being strong has taken a lot of will and energy. Inside me was like shattered pieces of glass. Each day I would restore myself, gluing the pieces back in place. One day recently (while attending the Khmer Rouge tribunals in Cambodia) I suddenly felt that I was not going to shatter anymore. I was strong with less force and effort. Life is light now. The glue finally took hold.”
So she stands before us tonight as proof. It is possible, even after unthinkable catastrophe to heal, repairing oneself one bit at a time, over and over until eventually, the mending takes hold.
Please go to her website and learn more about her story and also opportunities to participate in helping others in a meaningful way.
http://www.loungung.com/acorn.php?page=home
http://www.loungung.com/acorn.php?page=change_the_world
Salman Rushdie - Character is fate
I came to the evening prepared for a pompous blow hard overly proud of his title and accolades. I am not sure why I thought this, maybe because some of his most highly regarded works are found to be somewhat inaccessible at least for beach reading. There I confessed it.
What I encountered was a funny, articulate man capable of generosity to his mortal foes and deprecation of his self.
After he questioned the wisdom of letting authors such as himself speak out loud to a large audience, he challenged the concept that any life is ordinary. Behind the door of our "fine" lives and families, we all know both profound wonders and horrors. We all have a story and the right to give our stories voice.
One of the chief roles of the novel during the 18th Century was to be a beacon to society - informing about the human condition, promoting social change. He offered the example of Dickens’s Nicholas Nickelby and its impact on the reform of the deplorable conditions of poor children in England.
While some might suggest that the novel as literary form has grown less relevant as a social catalyst, he suggests the opposite. In the climate of today when truth is so imperiled by mass media, political talking heads and the general public's lack of focused discernment, it is as important to justice as ever. For it is one of the few bastions left for the detailed exploration of the truths those in powerful positions would prefer is left neglected.
Sir Rushdie knows too well that the tender care of truth does not come without high costs - both to the protagonists of stories and the artists that craft them. He deftly spoke of how character and it's juxtaposition against random events seals all our fates whether we are a figure in a story or the creator of the story.
Using the term "existential crime," he warned of the tyranny that comes when those in power restrain others from following the uniquely human impulse to tell stories. After all, we are the only storytelling animals; it is part of the fabric of what makes us human.
Citing the scene in Saul Bellow's The Dean's December an incessantly barking dog eloquently demands "For God's sake, open the Universe a little more!" Sir Rushdie asserts that it is the artist's weighty task to be the expander of the Universe - an effort not esteemed by the powers that be.
All of this was great stuff, but what I found most remarkable about the evening and about the character of this man was his treatment of the whole flap over Satanic Verses. Anticipating the curiosity around that time of his life, he raised the topic himself. He showed a gentle humor around his detractors. He speaks of the time when a Pakistani film depicting him as a villain was barred from release in the UK, he advocated against its censorship. Practicing his faith in the belief that the power of transparency allows for truth to win out and crappy movies to lose money at the box office. But when pressed during Q&A on why he didn't self censor to avoid the problem, his equanimity dropped and he briskly pointed out that crimes against humanity are committed by those holding guns not those holding pens.
Tonight I heard a man of great character speak and I believe my art and my life will be the better for it.
What I encountered was a funny, articulate man capable of generosity to his mortal foes and deprecation of his self.
After he questioned the wisdom of letting authors such as himself speak out loud to a large audience, he challenged the concept that any life is ordinary. Behind the door of our "fine" lives and families, we all know both profound wonders and horrors. We all have a story and the right to give our stories voice.
One of the chief roles of the novel during the 18th Century was to be a beacon to society - informing about the human condition, promoting social change. He offered the example of Dickens’s Nicholas Nickelby and its impact on the reform of the deplorable conditions of poor children in England.
While some might suggest that the novel as literary form has grown less relevant as a social catalyst, he suggests the opposite. In the climate of today when truth is so imperiled by mass media, political talking heads and the general public's lack of focused discernment, it is as important to justice as ever. For it is one of the few bastions left for the detailed exploration of the truths those in powerful positions would prefer is left neglected.
Sir Rushdie knows too well that the tender care of truth does not come without high costs - both to the protagonists of stories and the artists that craft them. He deftly spoke of how character and it's juxtaposition against random events seals all our fates whether we are a figure in a story or the creator of the story.
Using the term "existential crime," he warned of the tyranny that comes when those in power restrain others from following the uniquely human impulse to tell stories. After all, we are the only storytelling animals; it is part of the fabric of what makes us human.
Citing the scene in Saul Bellow's The Dean's December an incessantly barking dog eloquently demands "For God's sake, open the Universe a little more!" Sir Rushdie asserts that it is the artist's weighty task to be the expander of the Universe - an effort not esteemed by the powers that be.
All of this was great stuff, but what I found most remarkable about the evening and about the character of this man was his treatment of the whole flap over Satanic Verses. Anticipating the curiosity around that time of his life, he raised the topic himself. He showed a gentle humor around his detractors. He speaks of the time when a Pakistani film depicting him as a villain was barred from release in the UK, he advocated against its censorship. Practicing his faith in the belief that the power of transparency allows for truth to win out and crappy movies to lose money at the box office. But when pressed during Q&A on why he didn't self censor to avoid the problem, his equanimity dropped and he briskly pointed out that crimes against humanity are committed by those holding guns not those holding pens.
Tonight I heard a man of great character speak and I believe my art and my life will be the better for it.
Thursday, July 16, 2009
Greg Maguire kicks off The Gathering
What do bumblebees, Antonin Dvorak and Babylon have in common?
Thanks to the inventive mind of Gregory Maguire, the answer to this question is not "Umm, I'll just go and get you a doctor now, OK?" Instead, not-so-coincidentally, the answer is "Time, Place and Story," which happens to be the theme for The Gathering this year.
Greg kicked off this year's event with a very funny and entertaining lecture entitled "Backyard Babylon." In addition to bees and Dvorak, it also brought together elements from the work of each of this year's featured authors, Greg's own writing, autobiographical anecdotes, and numerous other seemingly disparate topics in a highly informative thesis. While defining his views about the relationships between time, place and story, Greg also provided fascinating insights into the genesis of his Wicked Years series.
Greg's lecture was the exclamation point on a delightful opening evening that started with a meet and greet on the Keystone College campus and continued on to a convivial dinner shared by authors, guests and staff. After dinner, brief welcomes and introductions were followed by the invocation, highlighted by a lovely Hindu dance performed by Sujata Nair Mulloth.
All in all, it was a fantastic start to a highly-anticipated weekend. I can't wait to see what tomorrow brings!
Thanks to the inventive mind of Gregory Maguire, the answer to this question is not "Umm, I'll just go and get you a doctor now, OK?" Instead, not-so-coincidentally, the answer is "Time, Place and Story," which happens to be the theme for The Gathering this year.
Greg kicked off this year's event with a very funny and entertaining lecture entitled "Backyard Babylon." In addition to bees and Dvorak, it also brought together elements from the work of each of this year's featured authors, Greg's own writing, autobiographical anecdotes, and numerous other seemingly disparate topics in a highly informative thesis. While defining his views about the relationships between time, place and story, Greg also provided fascinating insights into the genesis of his Wicked Years series.
Greg's lecture was the exclamation point on a delightful opening evening that started with a meet and greet on the Keystone College campus and continued on to a convivial dinner shared by authors, guests and staff. After dinner, brief welcomes and introductions were followed by the invocation, highlighted by a lovely Hindu dance performed by Sujata Nair Mulloth.
All in all, it was a fantastic start to a highly-anticipated weekend. I can't wait to see what tomorrow brings!
Opening Event of The Gathering
The invocation this year was traditional Indian dancing performed by Sujata Nair-Mulloth. Each of her movements a devotion to Rama -the 7th avatar of Vishnu - a human perfect in every way. As I listened and watched - I am struck by the beauty and precision of her arms and legs moving. They themselves seemingly perfect. I feel that the divine has fitfully been invited to dwell among us within the room. For more on Rama:
http://en.wikipedia.org/wiki/Rama
Keystone President Boehm spoke of the college's legacy. It lives today having started as a memorial to the fallen during the Civil War. How beautiful that those who fought and died to liberate the slaves are remembered by liberating minds over 140 years later.
Gregory Macquire then took the podium and our rapt attention as well. He knitted together the theme of the Gathering - There and Back Again - Time, Place and Story into a tapestry of sage words from other accomplished authors and his own journey from childhood to parenthood. And while his prepared speech was compelling, he was especially enthralling when he answered a question about how his Book Wicked was transformed into the award winning play.
http://en.wikipedia.org/wiki/Rama
Keystone President Boehm spoke of the college's legacy. It lives today having started as a memorial to the fallen during the Civil War. How beautiful that those who fought and died to liberate the slaves are remembered by liberating minds over 140 years later.
Gregory Macquire then took the podium and our rapt attention as well. He knitted together the theme of the Gathering - There and Back Again - Time, Place and Story into a tapestry of sage words from other accomplished authors and his own journey from childhood to parenthood. And while his prepared speech was compelling, he was especially enthralling when he answered a question about how his Book Wicked was transformed into the award winning play.
I Made it to the Gathering!!!
Although my 5 and 7 year old girls did implore me not to got to the "Scattering" as they called it, I explained it is but once a year that Mommy gets to do something for herself.
I begin to go into detail about the importance of nurturing my creative process, but they roll their eyes and ask what there is to eat. "It is OK", I say to myself, "they do not have to get it. And they will be just fine without me, just fine."
I throw my luggage in the car and drive off 10 minutes down the road. Hooray! Fending off the slings and arrows of guilt hurling children, I have arrived at the Gathering once again.
The theme this year- "There and Back Again -Time,Place and Story" already is resonating with me as I navigate the first 10 minutes of my arrival.
I think back to my uncertainty in the first minutes of the Gathering last year and how this year I am transformed - striding confidently to the correct building, having parked in the most convenient lot, free of trepidation about the unknown. I immediately see the two coolest Librarians I have ever met - my suite mates from last year. I feel welcome, I feel at home.
I am simply overjoyed to be here and grateful that I have the opportunity to be part of such a special convergence on this day... in this place... a new chapter of the Gathering begins.
I begin to go into detail about the importance of nurturing my creative process, but they roll their eyes and ask what there is to eat. "It is OK", I say to myself, "they do not have to get it. And they will be just fine without me, just fine."
I throw my luggage in the car and drive off 10 minutes down the road. Hooray! Fending off the slings and arrows of guilt hurling children, I have arrived at the Gathering once again.
The theme this year- "There and Back Again -Time,Place and Story" already is resonating with me as I navigate the first 10 minutes of my arrival.
I think back to my uncertainty in the first minutes of the Gathering last year and how this year I am transformed - striding confidently to the correct building, having parked in the most convenient lot, free of trepidation about the unknown. I immediately see the two coolest Librarians I have ever met - my suite mates from last year. I feel welcome, I feel at home.
I am simply overjoyed to be here and grateful that I have the opportunity to be part of such a special convergence on this day... in this place... a new chapter of the Gathering begins.
Wednesday, July 15, 2009
Gathering myself for The Gathering
Hello and welcome to my blog about The Gathering 2009. The Gathering is a literary conference "plus" that's taking place this weekend (July 16-19). In fact, it might be more accurate to say that it's a celebration of creativity that merely starts with the written word. It's held every year at Keystone College in La Plume, Pa -- an absolutely gorgeous region of rolling hills, quiet streams and refreshing woodlands near Scranton/Wilkes Barre.
Although this year's event is the 3rd Gathering, it will be my first. I'm really looking forward to it, especially since the featured speakers include one of my all-time literary heroes, Salman Rushdie, as well as Gregory Maguire, the author of Wicked, Loung Ung, who has written a riveting autobiography about her childhood in Cambodia, and Nancy Willard, a poet and author of children's books.
I'm not really sure what to expect, though. I've never been to any kind of literary conference before, so I'm guessing I'll feel very much like a lost puppy, at least at first. But from everything I've heard, The Gathering is a very mellow and welcoming scene -- I picture it as a range of people discussing books, big thoughts and bold ideas, but without being pretentious. There are workshops as well as lectures, and apparently some really good food, too.
Whatever happens, I'll try to bring you along for the ride with posts to this blog throughout the weekend. Please be patient with me though -- in addition to this being my first literary conference, it's also my first blog. So I guess you could say that The Gathering is also about learning to exercise your creativity in new ways (well, for me, anyway). I think it's going to be a lot of fun.
Although this year's event is the 3rd Gathering, it will be my first. I'm really looking forward to it, especially since the featured speakers include one of my all-time literary heroes, Salman Rushdie, as well as Gregory Maguire, the author of Wicked, Loung Ung, who has written a riveting autobiography about her childhood in Cambodia, and Nancy Willard, a poet and author of children's books.
I'm not really sure what to expect, though. I've never been to any kind of literary conference before, so I'm guessing I'll feel very much like a lost puppy, at least at first. But from everything I've heard, The Gathering is a very mellow and welcoming scene -- I picture it as a range of people discussing books, big thoughts and bold ideas, but without being pretentious. There are workshops as well as lectures, and apparently some really good food, too.
Whatever happens, I'll try to bring you along for the ride with posts to this blog throughout the weekend. Please be patient with me though -- in addition to this being my first literary conference, it's also my first blog. So I guess you could say that The Gathering is also about learning to exercise your creativity in new ways (well, for me, anyway). I think it's going to be a lot of fun.
Subscribe to:
Posts (Atom)