I feel like Bellow-the-novelist is a kind of counterweight to the other — an embodied critique of Bellow-the-essayist. What I don’t understand is how Bellow-the-novelist, who is to me the greater of the two, doesn’t seem to get this himself. Bellow-the-essayist is relatively humorless. He is earnest, serious, somewhat pontificating. I can sometimes feel the other Bellow in the wings — he can’t be completely repressed; he makes little cameos in the essays. He says things like: “Eros manages somehow to survive analysis; and somehow imagination survives criticism.” This observation coming even as he engages for long stretches in what feels very much like just such criticism.
Friday, April 03, 2015
Of two minds …
… Sven Birkerts Interviews Sven Birkerts | The Los Angeles Review of Books. (Hat tip, Dave Lull.)
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