… if the books were written by hand, it was only natural that they be read aloud. Aside from that point, I think that if you’re reading silently, and you come to a powerful passage, a passage that moves you, then you tend to read it aloud. I think that a well-written passage demands to be read aloud. In the case of verse, it’s obvious, because the music of verse needs to be expressed even if only in a murmur—it has to be heard. On the other hand, if you’re reading something that’s purely logical, purely abstract, it’s different. In that case, you can do without reading it aloud. But you can’t do without that reading if you’re dealing with a poem.
Saturday, September 26, 2015
… A Prophet in Reverse by Jorge Luis Borges and Osvaldo Ferrari | NYR Daily | The New York Review of Books. (Hat tip, Dave Lull.)
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