The archive also shows the careful work behind even the most disjointed parts of the Dylan oeuvre. “Tarantula,” his book of Beat-like prose poetry, has multiple typescripts, neatly annotated by hand, while the convoluted film “Eat the Document” is represented with a thick sheath of prosaic editing notes (“me fixing my hair — might be interesting”). There are hundreds of original tape reels, unseen concert films and business contracts going back to the very beginning of Mr. Dylan’s career.
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