One thinks of Cervantes’s Don Quixote, Fielding’s Tom Jones, Austen’s Pride and Prejudice, Stendhal’s Rouge et Noirand Tolstoy’s War and Peace; of Melville’s Moby-Dick, Twain’s Huckleberry Finn, Hemingway’s The Sun Also Rises; of Faulkner’s Absalom, Absalom! Of these, among the most easily recognizable and celebrated titles in the history of western literature, not one exhibits a trace of the solipsism, self-referentiality, self-identity and the narrow, intolerant and vicious puppy ideology that are among the more disgusting features of the novel in the 21st century. Instead their concern is with the natural world and the creatures that inhabit it; with human society at every level and including every type of human personality; with history, war and peace; with ennobling adventure and thrilling experience; with high passions and great loves; with good versus evil; with life and death; ultimately, with the relationship between mankind and the Divine.
Thursday, January 14, 2021
Tracking the decline …
… A novel ending - The Spectator - news, politics, life & arts. (Hat tip, Dave Lull.)