I am currently reading The Canon (Harvard, $24.95), Stratis Haviaras's new translation of C.P. Cavafy's 154 poems. I find it something of a page-turner. As soon as I finish one poem, I can't wait to get to the next. I have to restrain myself in fact. I tell myself it's best to read only a few and save the rest for later.
These poems were never collected into one volume during Cavafy's lifetime. They mostly circulated privately. They have a purity to them that most poems lack. For Cavafy, it seems, poetry was not a profession, but a vocation, a way of crystallizing experience in all its complexity and ambiguity and emotional resonance. And because nothing is more personal than experience, the effect of reading his poems is an uncanny sense of the poet's own presence. The cover of the Haviaras translation is a segment of a photo of the poet, showing only his eyes peering through his spectacles. It is a perfect illustration of what one can look forward to in the book: the world as seen by C.P. Cavafy. It's an enriching view.
It is interesting, by the way, to compare Cavafy's Ithaka with Auden's Atlantis. I can't help thinking Auden's poem owes something to Cavafy's.
These poems were never collected into one volume during Cavafy's lifetime. They mostly circulated privately. They have a purity to them that most poems lack. For Cavafy, it seems, poetry was not a profession, but a vocation, a way of crystallizing experience in all its complexity and ambiguity and emotional resonance. And because nothing is more personal than experience, the effect of reading his poems is an uncanny sense of the poet's own presence. The cover of the Haviaras translation is a segment of a photo of the poet, showing only his eyes peering through his spectacles. It is a perfect illustration of what one can look forward to in the book: the world as seen by C.P. Cavafy. It's an enriching view.
It is interesting, by the way, to compare Cavafy's Ithaka with Auden's Atlantis. I can't help thinking Auden's poem owes something to Cavafy's.