Thursday, June 12, 2008
Drumroll, please ...
Well, here's an idea ...
Gordon and I have our disagreements, but I certainly think his blog is worth visiting even, like me, you have a hard time with some of the technical stuff.
Brain types ...
I don't know what type of brain mine is. But swine-brained would be fine. I like pigs.
Let's start the day ...
I'll be interested to hear Patrick's reaction upon revisiting Winter Light.
Wednesday, June 11, 2008
The best is yet to come ...
I think this is a bit overstated ...
I just wish him well.
I'm not sure I agree entirely ...
But is that all it is?
Obliquely pertinent perhaps is this, from Auden's "Squares and Oblongs":
Also this:
... if we try to treat art as magic, we produce, not great works of art, but only dishonest and insufferably earnest and boring Agit-Prop for Christianity, Communism, Free Enterprise or what have you.
More about gardens ...
I plan to have my ashes scattered in my garden. So I guess, whenever I work there, I am tending my own grave.
Here is Andrew Marvell's The Garden.
Words fail ...
Sounds like that film I Love You to Death, which was based on a true story that took place, I believe, in Allentown, Pa.
Tuesday, June 10, 2008
When I was a kid ...
Minority report ...
Having linked to that, I will now run for cover - especially since I tend to agree. Good enough movie, but not great.
The Crusader papers ...
Getting down ...
Well, maybe.
Something about that phrase "we evolved to experience the world in bulk" strikes me as glib. To say that we evolved the way we are doesn't tell me anything more than that we are the way we are. One might just as well say that God made us in such as way that we experience the world in bulk. It also brought to mind this question: Which is more real, the ingredients or the bread? That quibble aside, bring it on!
For your listening pleasure ...
The Auden perspective ...
There are events which arouse such simple and obvious emotions that and AP cable or a photograph in Life magazine are enough and poetic comment is impossible. If one reads through the mass of versified trash inspired, for instance, by the Lidice Massacre, one cannot avoid the conclusion that what was really bothering the versifiers was a feeling of guilt at not feeling horrorstruck enough. Could a good poem have been written on such a subject? Possibly. One that revealed this lack of feeling, that told how when he read the news, the poet, like you and I, dear reader, went on thinking about his fame or his lunch, and how glad he was that he was not one of the victims.
One work of art did come from a response to the Lidice Massacre: Czech composer Bohuslav Martinu's Memorial to Lidice, premiered, I believe, a year after the event. It is short, simple, and deeply moving.
In common with Burke, Hegel, and that great but bad man his father, [Matthew Arnold] thought of the state as a real entity, an organic growth, embracing and consummating all the individuals within it, a conception that may describe fairly well a tribal community with an undifferentiated economy, is less than half true of a feudal social system based on agriculture, and in a centralized and industrial society has no meaning whatever. ... Indeed, today, even the picture of the State as a strata of ruled and ruling classes is ceasing to be altogether adequate; it is becoming more and more, the united professional politicians and bureaucrats versus the disunited rest.
* * *
I don't do this often ...
Jargon vs. BS ...
The humorless ...
Why can't we Americans simply abandon our orthographic differences with Britain? Humour looks so much more elegant than humor.
Let's start the day ...
Rather than comment, I thought I'd post my review of Kay Ryan's The Niagara River.
The Niagara River
Grove. 72 pp. $13
Much of the pleasure that comes from reading Kay Ryan involves just looking at the poem on the page and seeing how well put-together it is, how sound and sense aren't simply joined but fused. Take "Weak Forces," for instance:
I enjoy an accumulating
faith in weak forces -
a weak faith, of course,
easily shaken, but also
easily regained - in what
starts to drift: all the
slow untrainings of the mind,
the sift left of resolve
sustained too long, the
strange internal shift
by which there's no knowing
if this is the road taken
or untaken. There are soft
affinities, possibly electrical;
lint-like congeries; moonlit
hints; asymmetrical pink
glowy spots that are not
the defeat of something,
I don't think.
The title, of course, alludes to one of the fundamental forces of nature, which underlies certain kinds of radioactivity as well as some interactions among subatomic particles.
So consider, first, the subtlety of the poem's verbal music: regained rhymes with sustained, but in between them comes untrainings, one of several words in the poem containing ing. Other words harmonize with ing - pink and think, which also rhyme with each other. Nicely spaced as well are drift and sift and shift - then comes soft. Notice lint and hints, and "spots that are not. "
Next consider how the lines fit with one another. That first line - "I enjoy an accumulating" - can be taken as a statement all by itself. The "faith in weak forces" of the second line can be taken to be an example of what it takes to "enjoy accumulating," but can also be read as a continuation of the first line, so that what we are talking about is "an accumulating faith," specifically "in weak forces. " Ignoring for a moment what is said between the dashes, what one has is "an accumulating faith in weak forces . . . in what / starts to drift. "
The complex of meaning that results from how these words and lines relate to each other is what gives the poem its heft, enabling it to demonstrate, rather than merely state, its Taoist point: That a force, however weak, is still a force - a strength - and affinities, congeries, hints, and spots, however electrical, lintlike, moonlit, or asymmetrical, do not represent the defeat of anything. Faith, though easily shaken, may be easily regained by untraining the mind, losing a resolve sustained too long, no longer worrying if one has taken the right road or any road at all.
This is Kay Ryan's sixth collection. All have been small gatherings of short poems. But though the poems are short, they are, invariably, as concentrated as diamonds. They tend to be about exactly what their titles say they are about - "Tired Blood," "Atlas," "The Elephant in the Room" - just not in the way one expects.
So the blood isn't tired, "so much as freighted. " And "there is so little / others can do" for Atlas, since "they can't / lend a hand / with Brazil / and not stand / on Peru. " As for that elephant, "it isn't so much . . . as an elephant / sense . . . mostly a guess . . . not something / we feel we have to / announce. "
Ryan helps us see afresh the world we tend to take for granted. She is exactly what John Hall Wheelock said a genuine poet always is: "an eye that watches in secret, an ear that would / Listen for what can only be overheard / A mouth to tell us something we have forgotten. "
Monday, June 09, 2008
Brief glory ...
I sure hope not ...
So you want to be a writer ...
I miss working with Sarah. She clued me in to so many things I would have otherwise missed.
More Bond ...
As visitors to blog will know, not everyone is a fan. But those who are not seem to be in the minority - which is fine. I'm in many minorities myself.
Reprise ...
Reading and writing both are active enterprises - you image the scene and the characters and the action that the novelist describes. This has to be better for you than just sitting in front of a TV or a movies screen and having stuff presented to you pre-fabricated as it were. OK from time to time, for sure, but apt to atrophy the imagination if done too much.
As it happens, as Dave Lull reminds me, I did link to this earlier, and had something else say:
If this be so ...
Lots of good stuff ...
First, an Audio Interview with Critic Edward Pettit on Edgar Allan Poe.
Then a serious question is raised: The dilemma facing Newspaper and Magazine blogs. I think Nigel is on to something here.
Some indication as to how and why Nigel is so prolific: Attention Orotund Patrons, lovers of Perspicuous Prose.
And a link to a piece about Milan Kundera: Kundera on the novel, curiosity, truths and human life as a whole.
Don't forget ...
I have fallen behind in everything, and have a couple of pieces due ... today! So blogging will be light - maybe over the next few days even. But I will catch, restore order, etc.
Another problem solved ...
And here I had thought he had somehow passed it on to me. I had a couple of weeks of it recently. But it passed - and I'm now back to sleeping the sleep of the blessed.
Not so fast ...
In 1990's "Havana," Robert Redford, a math-wise gambler, tells Lena Olin, "A butterfly can flutter its wings over a flower in China and cause a hurricane in the Caribbean. They can even calculate the odds."
Well, no, they can't: '... a principal lesson of the butterfly effect is the opposite of Redford's line: It is extremely hard to calculate such things with certainty. There are many butterflies out there. A tornado in Texas could be caused by a butterfly in Brazil, Bali, or Budapest. Realistically, we can't know. "It's impossible for humans to measure everything infinitely accurately," says Robert Devaney, a mathematics professor at Boston University. "And if you're off at all, the behavior of the solution could be completely off." When small imprecisions matter greatly, the world is radically unpredictable.'
A good reason to be very, very careful before taking steps to "solve" any problem involving a complex system.
Sunday, June 08, 2008
More great minds ...
Great minds ...
Some other reviews ...
... plus Jennifer Weiner and Anita Shreve: 'Certain Girls,' 'Body Surfing'.
Good idea ...
A most interesting review ...
What is interesting about it is that Rosen is able to recommend the book in spite of the ninnyish opinions scattered like weeds throughout. 'He alleges that capitalism has been "the most powerful force of social, political, economic and cultural destabilization the world has ever known"...' Harrison should read Volume I of Henri Pirenne's History of Europe. Come to think of it, everyone should - and Volume II as well. It was written from memory while Pirenne was interned by the Germans during World War I.
Underwhelming ...
Today's Inquirer reviews ...
... I like Tan Twan Eng's - a lot: The intricacies of love ensnarled by loyalty, war. (Wish the copy desk had caught my repetition of word "debut.")
... and Susan Balée likes David Guterson's latest: Retreating after crisis in the wild.
... also:
It takes a nerd to pen a history of nerdism.
Saturday, June 07, 2008
More BEA ...
Here in Sunny LA.
Back from LA.
Fellow Bookseller Coverage of BEA.
Also check out Linkarama.
Check out ...
David is one person who has succeeded in turning the blog post into an art form.
The Kindergarchy ...
Interesting comment: Socially broken. (Hat tip, Dave Lull.)
Describing a problem ...
Friday, June 06, 2008
This is very interesting ...
Lest anyone forget, I do not myself subscribe to ID theory. I am also skeptical of a too-wide application of Darwinism. I think Richard Dawkins's meme idea (it hardly deserves to be called a theory) is rubbish.
Profile in courage ...
That reminds me of someone.