Wednesday, June 04, 2008

The art of gibberish ...

... Inflated phrases.

Most texts which accompany contemporary art production are so alarmingly twisted and woolly that they could easily pass for self-parody. Clucking hysterically they describe works "which hover on the border between the visible and the invisible", which - in the most wonderful way - "function as a link between geology and biology", which - how could it be anything else - "tackle aesthetic-political questions on cultural difference and the migration of form", which - it goes without saying - "reference the key artistic avant-guards of the 20th and 21st centuries", while naturally "incorporating the key questions of architecture, design, philosophy and science" and representing, in their spirituality, "a realisation of the present".

Wonderful.

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